AS EDIT SYSTEMS REDUCE IN SIZE AND COST, PRODUCTION COMPANIES AND TV NETWORKS ARE SEEKING TO COMPLETE POST-PRODUCTION IN-HOUSE USING RENTED SYSTEMS THAT UTILISE POWERFUL NETWORKED STORAGE.

CODA has recently designed, tested, installed and rented these systems for use on popular Australian TV series, Dancing With The Stars and Worlds Strictest Parents.

Unsure of which system to hire? AVID or Final Cut? CODA will provide pre-production technical advice based on your shooting and finishing format before we quote.

CODA can supply Final Cut Pro 7 or AVID Media Composer 5.5 suites, Pro tools or Nuendo mobile audio post systems, and a variety of network storage solutions. The newest member of the CODA family is the mighty AVID ISIS 5000. This 32-terrabyte server has the ability to network over 40 AVID or Final Cut Pro suites.

One of the big leaps of faith that producers have had to make in recent years is whether to shoot on one of the many tapeless formats that now exist. From XDCAM EX, XDCAM HD and P2 to AVCHD, EVS and Canon 5D the choice can be daunting. With production experience in all the major tapeless codecs, CODA can help you find the right solution.

CODA can provide 24-hour, 7-day-a-week technical assistance with all its edit systems via Cactus Resolutions, Australia’s premiere edit suite technical support company. Cactus’s Aaron Bickford has advised and worked with CODA for over 10 years.